Crinagoras of Mytilene, also known as Crinogoras, sometimes spelt as Krinagorasis or Krinagoras (name in Greek: ο Κριναγόρας, 70 BC-18) was a Greek Epigrammatist and ambassador, who lived in Rome as a court poet.
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Crinagoras came from an eminent family from the Greek Island of Mytilene. Crinagoras was born and raised in the capital, which was the same name as the island. He had at least one known brother called Eucleides.
He was a contemporary of the Greek Geographer Strabo and Strabo mentions Crinagoras as a man of some distinction. According to inscriptions found in Mytilene, Crinagoras was sent as an ambassador on behalf of the capital to Rome in 45 BC and 26 BC.
In the reign of the first Roman Emperor Augustus, he lived in the court as a poet. During his time in Rome, he wrote several epigrams, which refer to Augustus’ reign. He also wrote poems dedicated to the Roman Gods. Crinagoras, in his work, is perceived to have a true poetic spirit.
Crinagoras was the author of fifty-one epigrams, which are in the Greek Anthology. In these epigrams, Crinagoras blames himself for the hanging of wealthy patrons and several epigrams are small presents to children of his Roman noble friends. He sent an epigram addressed to Augustus’ nephew Marcus Claudius Marcellus, which with the epigram had a copy of the poems written by Greek poet Callimachus and later Crinagoras had sent Marcellus another epigram on his return from the war with the Cantabri. Other epigrams that Crinagoras has sent to was prince and future emperor Tiberius, congratulating him on his military victories in Armenia and Germany and to Augustus’ niece Antonia Minor. In other epigram, Crinagoras speaks of a sea voyage that he undertook from Asia to Italy, visiting Cyclades and Corfu on the way.
However, the most well known epigram that Crinagoras wrote was the epigram (below), that is considered to the eulogy of Ptolemaic Greek Princess and Roman Client Queen of Mauretania, Cleopatra Selene II.
Crinagoras had written the above epigram, assuming that an eclipse had occurred at the time of Selene’s death at sunset. However there is a possibility, that Crinagoras was using a simple poetic metaphor for her death playing on a lunar aspect of Selene’s name.